The professional history of pianist Pablo Amorós set out below, nust be read taking into account what the pianist himself thinks about resumes. It is just an stimulant of the listener´s curiosity. Just in case that all that data makes him want to go to one of his concerts, to listen to him, to follow him. To know pianist Pablo Amorós one must listen to him perform. Only that allows you to form an opinion about him. Evidence of musical art is in the act of performing the musical work. Audiences do not get excited with the tale of our musical achievements, they want us to perform for them, in each concert, what our bio assure. All that you say, just do it now. Professional bios exposed to public curiosity, are normally long and brilliant, with almost no exception. But every bio aims to be summarised in one word: the artist name, with no need for anything else. A pianist is defined by his concerts, every concert, not the written words. All that matters is his performances. If he cannot make the audience to take an interest in him, it will be irrelevant a thirty pages bio. What Pablo Amorós can ofer on this bio is a long professional career that has interested many different audiences in many different countries. If the eventual reader wants to check it out, he will have to go to one of Amorós´ concerts and judge after that.
Pablo Amorós acquired his own musical thinking under the teaching of universal pianist Alicia de Larrocha, and two other great pianists and teachersç: the spaniard Cristina Bruno and the italian Noretta Conci, a former student herself of Arturo Benedetti Michelangeli. He has performed at the principal halls in Spain such as Auditorio Nacional in Madrid; Gran teatro del Liceo in Barcelona; Palacio de Festivales in Santander; Palacio Euskalduna in Bilbao; Auditorio Manuel de Falla in Granada; Teatro Maestranza in Sevilla; Teatro Jovellanos in Gijón; Fundación March in Madrid; Gran Teatro in Córdoba; Festival Rafael Orozco; Festival Musika-Música; Clásicos en Verano ; Festival D´estiu in Menorca; In the past few years he has developed with great success an international career. He has played at some of the best halls in China like Shanghai Oriental Art Center, Guangzhou Concert Hall, Tianjin Grand Theater, Chengdu Telunsu Concert Halls, Chongqing Guotai Arts Center Concert Hall, Ningbo Grand Theater. Also at important halls and concerts seasons in USA, South América, United Arab Emirates, Italy, France and England.
He has performed with Orquesta Mihail Jora de Bacau, Orquesta de Córdoba, Orquesta Filarmónica de Málaga, Madrid Soloists Chamber Orchestra, Orquesta Sinfónica de Castilla y León, Partiture Philarmonic Orchestra, Orquesta Joven de Córdoba, Nueva lima Clásica Chamber Orchestra. And with the conductors Ovidiu Balan, Vsevolod Polonski, Alejandro Posada, Juan Paulo Gómez, José Santofimia, Mario Ortuño, Marnix Willem Steffen, Santiago Serrate.
Amorós has recorded the complete piano works of composer Leonardo Balada for NAXOS. One the pieces of the CD was dedicated by the composer to him.
Also GranadosvsFalla on the death anniversary of both composers. And Spanish Cello Sonatas for IBS, making the front cover of Scherzo magazine, and that had a huge impact on spanish media.
